Song

Musical composition for man vocalization

This commodity is nearly musical composition with vocals. For the activity of producing song, see Singing. For other uses, see Vocal (disambiguation).

American jazz vocalizer and songwriter Billie Holiday in New York Metropolis in 1947

A vocal is a musical composition intended to be performed by the human vocalization. This is frequently done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs comprise various forms, such every bit those including the repetition and variation of sections.

Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rising and fall are called chants. Songs equanimous in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional person singers who sell their recordings or live shows to the mass market place are chosen pop songs. These songs, which have wide entreatment, are often composed by professional person songwriters, composers, and lyricists. Art songs are equanimous past trained classical composers for concert or recital performances. Songs are performed live and recorded on audio or video (or, in some cases, a song may exist performed live and simultaneously recorded). Songs may also appear in plays, musical theatre, phase shows of any course, and within operas, films, and TV shows.

A song may exist for a solo singer, a lead singer supported by background singers, a duet, trio, or larger ensemble involving more voices singing in harmony, although the term is more often than not not used for large classical music song forms including opera and oratorio, which utilize terms such as aria and recitative instead.^[1] A song tin be sung without accompaniment by instrumentalists (a cappella) or accompanied by instruments. In popular music, a vocalizer may perform with an acoustic guitarist, pianist, organist, accordionist, or a backing band. In jazz, a singer may perform with a single pianist, a small combo (such every bit a trio or quartet), or with a big band. A Classical singer may perform with a single pianist, a modest ensemble, or an orchestra. In jazz and dejection, singers often learn songs "by ear" and they may improvise some tune lines. In Classical music, melodies are written by composers in sheet music format, so singers acquire to read music.

Songs with more than one voice to a part singing in polyphony or harmony are considered choral works. Songs can be broadly divided into many different forms and types, depending on the criteria used. Through semantic widening, a broader sense of the word "vocal" may refer to instrumentals, such every bit Mendelssohn's 19th century Songs Without Words pieces for solo pianoforte.^{[2] [3] [iv]}

Genres [edit]

Art [edit]

Art songs are songs created for functioning past classical artists, often with pianoforte or other instrumental accompaniment, although they can be sung solo. Art songs require strong vocal technique, understanding of linguistic communication, diction, and poetry for interpretation. Though such singers may also perform popular or folk songs on their programs, these characteristics and the use of poetry are what distinguish art songs from popular songs. Fine art songs are a tradition from most European countries, and now other countries with classical music traditions. German-speaking communities use the term art song ("Kunstlied") to distinguish so-chosen "serious" compositions from folk song (Volkslied). The lyrics are oft written by a poet or lyricist and the music separately by a composer. Art songs may be more than formally complicated than popular or folk songs, though many early Lieder by the likes of Franz Schubert are in unproblematic strophic course. The accessory of European fine art songs is considered as an important role of the composition. Some art songs are so revered that they take on characteristics of national identification.

Art songs emerge from the tradition of singing romantic love songs, often to an ideal or imaginary person and from religious songs. The troubadours and bards of Europe began the documented tradition of romantic songs, continued past the Elizabethan lutenists. Some of the earliest fine art songs are establish in the music of Henry Purcell. The tradition of the romance, a love song with a flowing accompaniment, ofttimes in triple meter, entered opera in the 19th century and spread from at that place throughout Europe. It spread into popular music and became 1 of the underpinnings of popular songs. While a romance more often than not has a simple accompaniment, art songs tend to have complicated, sophisticated accompaniments that underpin, embellish, illustrate or provide dissimilarity to the voice. Sometimes the accompaniment performer has the melody, while the vocalism sings a more dramatic function.

Folk [edit]

Folk songs are songs of often anonymous origin (or are public domain) that are transmitted orally. They are frequently a major aspect of national or cultural identity. Art songs often arroyo the status of folk songs when people forget who the writer was. Folk songs are also oft transmitted not-orally (that is, every bit canvass music), especially in the modernistic era. Folk songs exist in nearly every civilization. The High german term Volkslied was coined in the late 18th century, in the process of collecting older songs and writing new ones. Pop songs may eventually become folk songs by the same process of disengagement from its source. Folk songs are more than-or-less in the public domain past definition, though there are many folk vocal entertainers who publish and record copyrighted original material. This tradition led also to the singer-songwriter mode of performing, where an artist has written confessional poesy or personal statements and sings them set up to music, most often with guitar accompaniment.

At that place are many genres of pop songs, including torch songs, ballads, novelty songs, anthems, rock, blues and soul songs likewise every bit indie music. Other commercial genres include rapping. Folk songs include ballads, lullabies, love songs, mourning songs, trip the light fantastic songs, work songs, ritual songs and many more.

Sporting [edit]

A sporting song is a folk song which celebrates flim-flam hunting, equus caballus racing, gambling and other recreations.

Although songs about boxers and successful racehorses were common in the nineteenth century, few are performed by current singers. In particular fox-hunting is considered politically incorrect. The nearly famous song virtually a foxhunter, "D'ye ken John Peel" was included in The National Vocal Book in 1906 and is now often heard as a marching tune. A. 50. Lloyd recorded 2 EPs of sporting ballads; "Bold Sportsmen All" (1958) and "Gamblers and Sporting Blades (Songs of the Band and the Racecourse)" (1962). The Loftier Level Ranters and Martin Wyndham-Read recorded an album chosen "English Sporting Ballads" in 1977. The Prospect Before Us (1976) by The Albion Dance band contains two rarely heard hunting songs.

Lute [edit]

The term lute vocal is given to a music mode from the late 16th century to early 17th century, late Renaissance to early Bizarre, that was predominantly in England and French republic. Lute songs were generally in strophic form or poetry repeating with a homophonic texture. The composition was written for a solo vocalisation with an accompaniment, usually the lute. It was not uncommon for other forms of accompaniments such equally bass viol or other string instruments, and could also be written for more voices. The composition could be performed either solo or with a small group of instruments.

Part [edit]

A office song, part-song or partsong is a form of choral music that consists of a secular (vs. ecclesiastical) song written or bundled for several song parts. Part songs are ordinarily sung by an SATB choir, merely sometimes for an all-male or all-female person ensemble.^[v]

Patter [edit]

The patter vocal is characterised past a moderately fast to very fast tempo with a rapid succession of rhythmic patterns in which each syllable of text corresponds to 1 notation. It is a staple of comic opera, especially Gilbert and Sullivan, only it has as well been used in musicals and elsewhere.^[6]

See also [edit]

Wikiquote has quotations related to: Song

Wikimedia Commons has media related to Songs.

• Air (music)
• Animal song
  • Bird vocalization
  • Whale song
  • Zoomusicology
• Aria
• Canticle
• Hymn
• Instrumental
• Lists of songs
• Madrigal (music)
• Poem and vocal
• Song structure
• Theme song
• Vocal music

References [edit]

1. ^ Luise Eitel Peake. 1980. "Song". The New Grove Dictionary of Music and Musicians, 6th edition, xx vols., edited by Stanley Sadie, Vol. 17: 510–23. London: Macmillan Publishers; New York: Grove's Dictionaries. ISBN one-56159-174-ii.
2. ^ Ozzi, Dan; Staff, Noisey (11 April 2018). "RLYR's 'Actual Existence' Is 40 Minutes of Beautiful Anarchy". Noisey . Retrieved 26 January 2019.
3. ^ Bernardinelli, Federico (19 August 2018). "Rocking on Banker'due south Loma, an Interview with El Ten Eleven". Chill Drones . Retrieved 26 January 2019.
4. ^ "Interview with Jasper TX | Sweden Experimental interviews". world wide web.tokafi.com . Retrieved 26 January 2019.
5. ^ Baker (2007). A Dictionary of Musical Terms. Read Books. ISBN978-1-4067-6292-1.
6. ^ "Patter song", OnMusic Dictionary, Connect For Education, Inc, accessed 2 May 2014

Further reading [edit]

• Marcello Sorce Keller (1984), "The Trouble of Classification in Folksong Research: A Brusque History", Folklore XCV, no. ane, 100–104.
• Jean Nicolas De Surmont (2017), From Vocal Poetry to Song, Toward a Theory of Song Objects with a foreword past Geoff Stahl, Stuttgart, Ibidem.

Song

Source: https://en.wikipedia.org/wiki/Song